This project draws inspiration from Rang Ghar, the architectural jewel of Assam, embodying its grandeur and intricate details. To capture the essence of this historic structure, I experimented with a variety of materials—crayons, pastels, and watercolor—blending them to create rich textures and depth. This hands-on approach allowed me to play with the materials and develop a unique tactile quality, rather than relying on digital methods. For the final jacquard prints, I took color inspiration from the Andrew Martin brand, using a palette that complements the intricate textures and conveys the elegance of Rang Ghar.
RANGH GHAR
EXPLORATION

These doodles were created to analyze the structure of the carvings

Using wax crayon in the background with ink for the motif creates a unique, withered-like texture. The crayon resists the ink, allowing the motif to stand out while adding depth and a vintage feel to the background. This combination highlights the motif against a textured, contrasting backdrop.

Here, textures are explored solely in black and white using pen, ink, and charcoal. This limited palette emphasizes contrast and depth, with pen lines providing fine details, ink adding bold strokes, and charcoal contributing soft, smoky shading.

Watercolor combined with wax crayon and soft pastel creates unique textures and effects. The wax crayon resists the watercolor, making lines or highlights stand out, while soft pastel adds a soft, velvety layer that enhances depth..

In this exploration, I experimented with layering different mediums, including crayons, oil pastels, watercolor, and ink, to understand how they interact when combined. The goal was to see how these materials blend, contrast, and create unique textures and effects when overlaid in various combinations. 


Texture is replicated by imprinting with smooth packet surfaces. Layers of chosen colors were applied to the packets, then pressed onto the surface, creating a textured, layered effect. 

MOCKUP

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